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invented slang

Slangifying Your Story

In the realm of YA writing in particular, slang of any kind is tricky, tricky business.

Slang and common expressions can make a teen voice feel more authentic. As someone who spends every workday listening to teenagers talk, I guarantee they’re not pulling exclusively from an official dictionary.

Then again, slang is—by its nature—fleeting. A few bits and pieces work their way into the long-term vernacular, but most are solidly dated. Just think about “groovy,” “bodacious,” and “fresh.” You just had certain decades flash through your mind, right? Maybe that’s a good thing. Maybe that instant association is what you need.

More often, I’m thinking that’s not a good thing.

Let’s go back to my students for a minute. There are some who spout a near-constant stream of “totes obvi” and “YOLO.” (The one who says YOLO the most keeps doing it out of context. I’m not sure he really gets it. Or he likes to be annoying.) And here’s the thing about super of-the-moment phrases. It only takes about two minutes for the kids to sound like they’re trying too hard.

And it’s even easier for an author to sound the same way.

So how do you deal with it? Stick to the more long-standing forms of teen-talk? Use a strict rule like one super-trendy term per fifty pages? Only let a side character use them, make it their “thing”?

Honestly, I don’t know. I’m curious what you’ve found works, either from a writing or reading perspective.

I tend to work around it by writing science fiction and making up my own slang. Mindy McGinnis thinks I’m good at it. Hopefully others will agree.

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We’re, Like, Y’know, in the FUTURE!

Today’s post is kind of an extension of last week’s Putting the Sci in Sci-Fi. But first, some lead-in.

Those of you who are on Twitter may know that @AngelaJames (executive editor at Carina Press) occasionally does an #EditReport session where she shares quotes from her editors on why manuscripts were rejected, then concludes with quotes on acceptances. In a recent session, the following tweet popped up:

“Characters read more like contemporary characters dropped in an historical world rather than being authentically historical.” #editreport
— Angela James (@angelajames) June 25, 2012

I’ve noticed the same problem occasionally in science fiction, most particularly in YA. The characters are a little too much like teenagers of today plunked down in some futuristic setting. When that happens, it doesn’t matter how much awesome world-building you’ve done. Your characters reveal it all to be cardboard backdrops on a junior high stage.

Would characters in your story still wear jeans? I mean, jeans have been around a while, so maybe, especially if it’s near-future. But maybe not. Would they still say “cool” or “awesome” or “creeper” or “legit”?

It’s a dilemma, though. Especially that bit about the language. Any type of current slang in a definitely-not-current setting will knock me right out of the story. On the other hand, I know invented slang is tricky, often making readers feel like these out-of-the-blue words are being shoved down their throats.

Remember the bit in Mean Girls where poor Gretchen tries to force her own slang upon the world?

(where I got this)

Sometimes when reading, I feel like giving the characters and/or author the same response Queen-Bee Regina finally gave:

“Gretchen, stop trying to make ‘fetch’ happen. It’s not going to happen.”

With my own efforts at invented slang, I’ve tried to make it as organic as possible. Often what I do is take something current and twist it a bit. So far, it’s gotten good reactions from people who are ordinarily pretty picky about such things.

We don’t know what the future will be like. We don’t know what teenagers then will be like. That’s part of the fun of writing science fiction. At the same time, we want these characters to have a core that our modern-day readers can relate to. So it’s yet another balancing act for us to manage.

Do you have any tricks for making futuristic teens futuristic enough without losing their common thread with teen readers? Any pet peeves about too-contemporary elements showing up in a far-removed time period?

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