creativity

Writer’s Mud

To the best of my knowledge/memory, I have never had writer’s block. Not the way I’ve heard it described, at least. Manuscript at a standstill, unable to move forward one word, let alone one sentence.

Never had that—of course, I haven’t been at this too long yet. What I have done is slog through the writer’s mud. Have you been there? The forward momentum doesn’t stop; it just slows down. There’s a little more thinking going on, a little more letting the scene play out in my head before I attempt writing the words.

I don’t see this as a particularly bad thing (as long as the whole manuscript doesn’t go that way). It’s kind of the bridge that joins the planning part of me and the “pantsing” part. (For the uninitiated, that’s the flying-by-the-seat-of-your-pants concept.) I frequently have some broad plot points outlined (roughly) when I start, even some details noted, but I don’t have the specifics of how those major landmarks will be connected. Basically, I know the characters will start at A, stop by E, L, and T on the way, and end up at Z. The rest of the alphabet kind of unfolds as I go.

Generally, I like how this works. I have those big points in mind, so I know what I need to point toward. As I slog through the mud, my brain is sifting through possibilities, everything marinating and percolating to get those connections made.

Since I spent the majority of my life convinced I wasn’t creative at all, I’m happy to find a creative process that works (or seems to). I just have to make sure I keep moving, or that mud might suck me down to where I can’t get the momentum going again.

Have you experienced the mud? Or have you experienced writer’s block? What do you do to put a positive spin on it and get moving again?

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Character Curve-Balls

Veteran writers know all about it, but the first time it happened to me, I was floored. A character did something I didn’t expect. But wait! I’m the writer! How can something happen in my writing that’s not premeditated on my part?

Fact: Fictional characters are the truth behind Invasion of the Body-Snatchers.

They live in our subconscious, and once they’ve burrowed a nice cozy nook for themselves … they evolve. And once in a while, they kick down the door between subconscious and conscious, and start making demands.

Or they skip the demanding and just take over.

Sometimes they go a little too rogue and have to be reined back in. Often, though—at least in my experience so far—they make better decisions than I would if I knew I was making them. (If that makes sense…)

So I thought it’d be fun to categorize the various curve-balls my characters have thrown at me thus far.

1. The “Don’t Think You Know Me Better Than I Do” Curve-Ball This was the first I ran into. I was maybe a third of the way through the first draft of Fingerprints when a side character decided to be a snotty brat about a (planned) turn of events. Who knew she felt that way? Or that it’d end up being a critical development for the whole series?
2. The “Let’s Talk Technique” Curve-Ball This one happened after I’d added terms like “POV shift” and “head-hopping” to my functional vocabulary. I had great momentum going, writing the last quarter or so of the new project. Great hook at the end of a chapter (I think), went to a new page for the next chapter and … it immediately played out from 2nd-Most-Important-Character’s POV, not Ms. MC who’d been running the show (in tight third person) up to that point. I think there were good reasons for making the shift, and it ended up helping with a dilemma I was already worried about in an upcoming scene. We’ll wait for my critique partners to let me know whether I pulled it off.
3. The “You Think You’re Done With Me?—You’re Not Done With Me!” Curve-Ball Another fairly recent development. I thought the Crossing the Helix books were set as a solid trilogy. A couple ideas for short-story or novella length prequels, maybe, but that was it. Then Taz (who’s usually been much quieter than Raina—no deaf jokes, please) piped up with an idea for a fourth book, launching a new arc. So it’s on the list of possible projects.

Have you experienced these types of curve-balls, or others I haven’t mentioned? Did they lead you to the promised land … or down a certain path paved with good intentions?

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