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professionalism

Humility is Sexy

Disclaimer: I’m not a literary agent. I don’t really know what they think, beyond the thoughts they put out there on their blogs and Twitter feeds. (I do not listen to the haters who think agents are an elitist clan of devil spawn who take joy in crushing the dreams of aspiring writers.)

But I think they would agree with the title of this post. Let me explain why.

First, you have to understand humility. Contrary to popular belief, it isn’t beating up on yourself. It isn’t saying your writing is crap, especially right after someone has complimented it. It is not a lack of confidence. I grew up with this simple definition:

HUMBLE = TEACHABLE

You can definitely believe you know a few things while acknowledging there’s room to know more. I have a student who epitomizes this. With all her accomplishments, she could easily have the biggest head on campus. Yet bragging would never occur to her. She does what she does, no big deal, but if you compliment her, she’ll thank you.

She doesn’t tell you all the reasons why your compliment is misplaced.

So, why do I suspect agents find humility sexy? I’m sure they want confident writers who believe in their ability (well, most of the time—we all have moments of doubt) and don’t have to be talked down from the ledge every other day. Confidence is not the opposite of humility—arrogance is.

We’ve all seen arrogant aspiring writers. The ones who lash out at anyone who dares criticize their masterpiece. Who insist it’s your fault for being dense if you can’t keep track of their fifteen different narrators. Who don’t care if you tell them word counts much over 100k make publishing pros twitchy—not a single word can be cut from their 450k word debut thriller. Who say they will never change X about their novel (title, character’s name, their vision of printing the whole thing in Comic Sans) no matter what a publisher says.

It ain’t sexy.

(Okay, those were extreme examples, but even when you scale them back, I’m thinking they’re not too attractive.)

Humble writers do their research on the publishing industry and don’t blame ‘the system’ for all their problems. They handle critique like a pro, not giving in to every beta reader’s whim, but being open to possible improvement. They’ll aspire for greatness, knowing there will always be more to learn, and never claiming they’ve already arrived and why haven’t you acknowledged it yet?!

Is there anything that helps you find the balance, neither tearing yourself down nor puffing yourself up? Working with my tailor-made, long-term critique partners helps me—more on that soon.

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Boundaries of Bashing

My perfectionism makes me a little critical. (For evidence, see my opinion on eBook formatting or my breakdown of e-reader apps.) This extends pretty much to all areas of my life.

In my day job, I spend a lot of time around ASL interpreters. I frequently find myself feeling conflicted. On one side, I’ve known some seriously awesome interpreters, and I know without a doubt I can’t do their job. In fact, I’ve had to in a pinch once or twice. One of those occasions sparked a near panic-attack. (There’s a reason interpreters usually work in pairs and switch off every 20-30 minutes. When I got to around 45 minutes, I went into vapor lock.)

On the other side, mistakes drive me nuts. Or worse, when I see a completely unqualified interpreter botching up everything. When I’m in a position where I’m signing and an interpreter is voicing for me, I pray to have earplugs. For one thing, it’s just hard to concentrate. For another, any little pause or minor misinterpretation convinces me my signing skills are really that terrible.

And I admit, sometimes after enduring something with a really poor interpreter, I have to vent a little to one of my colleagues.

Even then, I try to remind myself at all times that it’s an extremely difficult job—one I cannot do. I try to keep my venting to appropriate venues. When I’m in a position to help an interpreter improve, I do what I can. At the end of the day, I respect their effort, their training, and the difficulty of their job. And by and large, the interpreters I’ve dealt with fall into the Camp of Awesome.

What’s my point? Oh, look, here comes a writing connection!

It’s likewise easy from the writer’s side of things to criticize how others in the industry do their jobs. Gripe about agents’ long response times. Claim editors are out-of-touch. Rant about the stupidity of anyone and everyone in the publishing business.

There are certainly valid criticisms and discussions to be had on many publishing topics. When it crosses into agent/editor/publisher-bashing, I get a yucky feeling. It just ain’t pretty, and it’s definitely not professional.

Yes, I’m sure they make mistakes. I’m sure there are things they could (and maybe should) do better. Everyone on this planet has room to improve, even (especially) in our areas of expertise. But respect the job, respect the effort, respect the experience and training. Bashing is never the result of respect.

And for more on handling ourselves professionally, check out this post. Yeah, I’m even critical about responding to criticism.

Where do you draw that line between criticism/accountability and straight-up bashing?

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