science fiction

We’re, Like, Y’know, in the FUTURE!

Today’s post is kind of an extension of last week’s Putting the Sci in Sci-Fi. But first, some lead-in.

Those of you who are on Twitter may know that @AngelaJames (executive editor at Carina Press) occasionally does an #EditReport session where she shares quotes from her editors on why manuscripts were rejected, then concludes with quotes on acceptances. In a recent session, the following tweet popped up:

“Characters read more like contemporary characters dropped in an historical world rather than being authentically historical.” #editreport
— Angela James (@angelajames) June 25, 2012

I’ve noticed the same problem occasionally in science fiction, most particularly in YA. The characters are a little too much like teenagers of today plunked down in some futuristic setting. When that happens, it doesn’t matter how much awesome world-building you’ve done. Your characters reveal it all to be cardboard backdrops on a junior high stage.

Would characters in your story still wear jeans? I mean, jeans have been around a while, so maybe, especially if it’s near-future. But maybe not. Would they still say “cool” or “awesome” or “creeper” or “legit”?

It’s a dilemma, though. Especially that bit about the language. Any type of current slang in a definitely-not-current setting will knock me right out of the story. On the other hand, I know invented slang is tricky, often making readers feel like these out-of-the-blue words are being shoved down their throats.

Remember the bit in Mean Girls where poor Gretchen tries to force her own slang upon the world?

(where I got this)

Sometimes when reading, I feel like giving the characters and/or author the same response Queen-Bee Regina finally gave:

With my own efforts at invented slang, I’ve tried to make it as organic as possible. Often what I do is take something current and twist it a bit. So far, it’s gotten good reactions from people who are ordinarily pretty picky about such things.

We don’t know what the future will be like. We don’t know what teenagers then will be like. That’s part of the fun of writing science fiction. At the same time, we want these characters to have a core that our modern-day readers can relate to. So it’s yet another balancing act for us to manage.

Do you have any tricks for making futuristic teens futuristic enough without losing their common thread with teen readers? Any pet peeves about too-contemporary elements showing up in a far-removed time period?

Speak up:

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Putting the Sci in Sci-Fi

I’ve written before about world-building, focusing on the art of weaving it into the body of our stories. It’s a necessary part of pretty much any genre of fiction to one degree or another, but particularly in speculative and historical fiction. Right now, I’m going to focus on a different aspect of world-building, specifically in science fiction.

Forget working in the details. I want to talk about whether the details work.

It’s science fiction, right? Fiction, as in made up. Yeah, but you also have the ‘science’ part. You want things to be a little out there, imaginative, something the reader hasn’t thought of before, but now that you suggested it, “Yes, that’s so awesome!” At the same time, you don’t want it to enter the realm of, “But that’s totally impossible!”

Finding the balance between scientific feasibility and creative license isn’t easy. I don’t think I know any writers who don’t dive in and do some research when they find they need to. There are natural limitations. (For example, check out the letter Star Trek creator Gene Roddenberry sent Isaac Asimov in response to the latter’s criticism of the television series.)

However, I’ve come across instances where I feel like authors didn’t realize they needed to do a little research. Maybe they lacked the background knowledge. Maybe they just didn’t think it through from the angle I naturally look from. Maybe they put more emphasis on what worked for their plot than what actually works from a logical world-building perspective.

Maybe I’m just a science snob.

To be honest, I see this particularly in YA sci-fi. Not saying it’s true of all (not remotely!) or most. I hope it’s not even true of many. But it’s certainly true of some. Some who call themselves geeks, love sci-fi as a consumer, but don’t get the whole left-side-of-the-brain engagement going in their writing.

I’m not saying all sci-fi has to be hard sci-fi. We don’t need pages of techno-babble backing up the scientific elements of the story. But here are some (very general) scientifically minded questions I try to consider in my world-building details:

• What progression led to the present level of technology in the world? Is it ascending (advancing technology) or descending (lost knowledge due to some event in the past)?

 

• What limitations are there, preventing all tasks from being dirt simple? If technology makes some things super-simple, but others still require effort, does that distinction make sense?

• If my setting is Earth, but X years in the future, how do elements of our current world influence my story? How have elements of our present degraded over time? (Never forget entropy.)

And here’s a biggie:

• What laws of physics (as currently understood) am I going to try to break, bend, or circumvent? How can I justify it? (The justification can be highly fictional, but must be consistent within itself.)

Any other sci-fi buffs out there? Are there ways you see the “sci” in sci-fi getting glossed over too much (in YA or otherwise)? What strategies do you have for keeping your imagination within some confines of scientific consistency? I’d love to hear your thoughts.

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Book-Nerds vs. Science-Geeks

This is one that’s been on my mind for a while. While labeling individuals is rarely productive, I often ponder certain categories or types (recognizing the variability within any given category). So first, let’s define our terms.

A book-nerd is pretty straightforward—someone who loves books. They devour books, possibly spending more on them than they do on food. Generally, book-nerds are somewhat eclectic in their tastes, sampling everything from literary fiction to romance to horror to non-fiction. They worship the written word.

A science-geek (and for the sake of this post, I’m going to include math-geeks, even though they don’t always coincide) is analytical, loves technology, and wants to know how everything around them works. They are often (but not always) big readers as well, possibly to the same extend as many book-nerds.

In fact, there is some overlap between the two groups. I know some science-geeks who are definitely book-nerds. What I want to talk about is another subset of the geeks—those who do read, but don’t qualify as book-nerds.

These are people who read voraciously, but probably don’t have much interest in Shakespeare, Dickens, or anything else considered classic. Probably not much in the field of literary fiction, either. Doesn’t mean they don’t appreciate literary qualities, but more often than not, they’ll be reading (you guessed it) science fiction and fantasy.

What’s important to these readers? For one thing, consistency in all aspects. Heaven help you if you commit a continuity error. For another, worlds and characters worth coming back to—thus the ubiquitous serial nature of the genres. They also want what every other reader wants—a good story with proper development.

It seems like the YA publishing industry is dominated by book-nerds. That’s okay, and probably as it should be. After all, they need to make their living on books, so it’s best if they love them, preferably in wide variety. But sometimes I wonder if even agents who rep the speculative fiction genres are part of the book-nerd/science-geek overlap and don’t necessarily get the straight-up science-geek readers.

It’s kind of like the film industry. Traditionally, a sci-fi or fantasy movie will only get respect for effects, makeup, costumes, and maybe music. Some people assume that the fans don’t care about good screenwriting or acting as long as there are enough explosions. So the budget goes toward effects and explosions. Character development is glossed over. The end result might make money, but gets little respect.

There is a place for science-geeks in the world of literature, though. And I’m always excited when I find an excellent book that speaks to that part of me (rather than the book-nerd part … I’m an overlapper in some respects). I’m always on the lookout for more. Books that use sci-fi or fantasy elements as more than window dressing, but still have a great story at the core.

Got any recommendations?

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